That was the title of the workshop I presented at the Sisters in Crime/LA “No Crime Unpublished” writers’ conference on Sunday with my friend, Rochelle Krich.
Rochelle is a multiple award-winning, best-selling author of fourteen novels and numerous short stories and I’m…well, you know who I am. I have a master’s degree in business with an emphasis in strategic planning. I also had a marketing plan for my writing career before I had an agent. The two of us have stories to tell and only some of them can be repeated here.
These events are a great opportunity to meet budding writers and reconnect with friends and fellow presenters like Naomi Hirahara, Gary Phillips, Sueann Jaffarian, Denise Hamilton and the irrepressible Harley Jane Kozak, D.P. Lyle, and Jan Burke pictured below.
Before my first book was sold I knew four things: (1) That it would be published; (2) My publisher would, in all likelihood, do little or nothing to promote it; (3) Promoting the book was just as hard as writing it; and (4) Ultimately, I was responsible for my writing career.
As it turned out, my publisher did more than I expected, for which I was grateful. However, publishers can do only so much to get your novel noticed among the 199,999 other books released that year.
The big New York houses all have publicists that may arrange book signings and some media coverage, but they don’t continue working on your campaign beyond the month or two surrounding the book’s release. They have other writers to promote. Susan Page has written an insightful book about publishing called The Shortest Distance Between You and A Published Book. She says:
“So it is true that you have to put out a major effort in the first three months. But it is a terrible mistake to stop after that. The best promotion a book can possibly receive is word of mouth. Word of mouth takes time to build, and you have to keep nurturing it.”
Page suggests that for a year and a half following the release of a book, a writer should continue to promote the book and spread the word. Sometimes the task is daunting. All writers have a story to tell of driving fifty or a hundred miles to give a presentation. Two people show up. One of them is only there to get in out of the rain. No books are sold. It's disheartening not to mention costly.
At some point we all stop to ponder whether any of this raises our profiles. Yet, most of us continue to pack our books into those briefcases and hit the road, because we all dream the same dream—to achieve a level of success that allows us to continue writing. In order to do that we not only have to be William Faulkners we also have to be Willy Lomans, because if there is one thing we all know in today's publishing climate it's that attention must be paid.
"You don't understand: Willy was a salesman. And for a salesman, there is no rock bottom to the life. He don't put a bolt to a nut, he don't tell you the law or give you medicine. He's a man way out there in the blue, riding on a smile and a shoeshine. And when they start not smiling back—that's an earthquake. And then you get yourself a couple of spots on your hat, and you're finished. Nobody dast blame this man. A salesman is got to dream, boy. It comes with the territory."—Death of a Salesman by Arthur Miller
What about you. Are you more inclined to buy the book of an author you meet face to face?
Hope to see you at my next whistle stop. Until then, Happy Monday.




